RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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RAFFAELLO Sanzio Holy Family below the Oak oil painting


Holy Family below the Oak
Date 1518(1518) Medium Oil on wood Dimensions Height: 144 cm (56.7 in). Width: 110 cm (43.3 in). cjr
Painting ID::  87607
RAFFAELLO Sanzio
Holy Family below the Oak
Date 1518(1518) Medium Oil on wood Dimensions Height: 144 cm (56.7 in). Width: 110 cm (43.3 in). cjr
   
   
     

RAFFAELLO Sanzio Retrato de Pietro Bembo oil painting


Retrato de Pietro Bembo
1504(1504) Medium Oil on panel Dimensions 54 x 39 cm cyf
Painting ID::  87741
RAFFAELLO Sanzio
Retrato de Pietro Bembo
1504(1504) Medium Oil on panel Dimensions 54 x 39 cm cyf
   
   
     

RAFFAELLO Sanzio Hl. Familie unter einer Palme, Tondo oil painting


Hl. Familie unter einer Palme, Tondo
Date 1506(1506) Medium Oil on wood cjr
Painting ID::  87862
RAFFAELLO Sanzio
Hl. Familie unter einer Palme, Tondo
Date 1506(1506) Medium Oil on wood cjr
   
   
     

RAFFAELLO Sanzio Portrait of Pietro Bembo oil painting


Portrait of Pietro Bembo
1504(1504) Medium Oil on wood cyf
Painting ID::  87900
RAFFAELLO Sanzio
Portrait of Pietro Bembo
1504(1504) Medium Oil on wood cyf
   
   
     

RAFFAELLO Sanzio Angel oil painting


Angel
between 1500(1500) and 1501(1501) Medium Oil on wood cyf
Painting ID::  87901
RAFFAELLO Sanzio
Angel
between 1500(1500) and 1501(1501) Medium Oil on wood cyf
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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